3 дня
О сайте
393414 комментариев
3 | США, APON, APON-2669 1980 |
| Side 1 1. Tchervona Ruta Sophia Rotaru 2. Syzokrylyj Ptakh Sophia Rotaru 3. U Karpatakh skhodyt Osin Sophia Rotaru/Studio Choir 4. Dva Persteni Sophia Rotaru/V. Ivasiuk 5. Zhovtyj Lyst Sophia Rotaru Side 2 1. Vodohray Sophia Rotaru 2. Balada o Skrypkah Sophia Rotaru/V. Ivasiuk 3. Oi Tchorna ya sy Tchorna Sophia Rotaru 4. Pisnya bude s namy Sophia Rotaru/Studio Choir 5. Na Ivana Kupala Sophia Rotaru Sung by Sophia Rotaru with Instrumental Ensemble Tchervona Ruta, A. Evdokymenko and V. Ivasiuk — Directors |
3 | США, ABC Westminster Gold, WGS-8291 1974 |
3 | США, ABC Westminster Gold, WGS-8291 1974 |
3 | США, ABC Westminster Gold, WGS-8291 1974 |
| SIDE ONE: 1. Steppes, Steppes! (Stepi, Stepi) (3:57) Music and words by V. Levashov 2. Zhen’ka (3:35) Music by E. Zharkovski Words by K. Vanshenkin 3. The Soldier's Widow (Soldatskaya Vdova) (3:33) Music by M. Fradkin Words by M. Matusovski 4. You, My Russia (Ту Rossiya Moya) (3:21) Music by S. Tulikov Words by S. Ostrovoi 5. Ryazan Maidens (Ryazanskie Madonny) (4:48) Music by A. Dolukhanyan Words by A. Poperechny 6. Oh, Snow! (Oi, Sneg, Snezhok!) (1:41) Music by G. Ponomarenko Words by V. Bokov SIDE TWO: 1. The Siberlan Flax (Slbirski Lenok) (4:49) Music by N. Kutuzov Words by V. Bokov 2. There Is Little Light Beyond The Window (Za Okoshkom Svetu Malo) (3:49) Music by E. Kolmanovski Words by K. Vanshenkin 3. Sleeplessness (Bessonitsa) (1:50) Music by N. Polikarpov Words by G. Kuryankov 4. The Young Sailor Is Coming Home On Leave (Na Pobyvku Edet) (3:02) Music by A. Averkin Words by V. Bokov 5. Maybe Not (A Byt’ Mozhet I Nye Так) (1:36) Music by A. Averkin Words by V. Kharitonov 6. Hazel Eyes (Ochl Karie-Opasnost’) (1:53) Music by G. Ponomarenko Words by V. Bokov 7. Oh, My Heart! (Okh, Serce Moyo!) (2:07) Music by G. Ponomarenko Words by V. Burygin LUDMILLA ZYKINA: Russian Songs Nikolai Osipov, State Russian Folk Orchestra Viktor Dubrovski, Conductor Notes by Stephen M. Wolownik Translations by Jonathan Rothe Transferred at the Village Recorder by Kathryn King and Zachary Zenor, August 1974. Американское переиздание диска С 0889-90 Ludmilla Zykina began her singing career in childhood, learning songs as easily as most children learn simple nursery rhymes. At the age of sixteen, she was one of four girls chosen in a competition of four thousand for membership in the prestigious Piatnitsky Folk Chorus. Studying great Russian singers such as Rus-lanova and Kovaleva, Ludmilla succeeded in using the techniques of these well-loved mistresses of Russian song to develop her own style. Her success in creating her own unique style, while adhering to the spirit and traditions of Russian folk song, caused her directors, teachers, and colleagues to coin the term "Zykinskaya" ("Zykina-style*') for her manner of singing. The songs of Ludmilla Zykina may be considered dramatic "novels" in song—their thought, music, and words form an inseparable whole. The singer penetrates to the underlying meaning of the text, and, combining this understanding of the song with her unique voice, she causes the listener to experience life in the music itself. Today Ludmilla Zykina is People's Artist of the Soviet Union, having received for her artistry the Order of Lenin, that nation's highest honor. Osipov Folk Orchestra The "father" of Russian folk instrumental orchestras was Vasilii Andreev, who, toward the end of the 19th century, improved and reconstructed the original folk balalaika, then developed different sizes (such as alto, bass, tenor) to form a full-voiced ensemble. He also reconstructed the almost extinct "domra," also creating various sizes, or "voices." His original ensemble of the various balalaikas and domras was augmented, after his death, by Nikolai Osipov, to include many other Russian folk instruments. Today, the Osipov Folk Orchestra, under the direction of Viktor Dubrovski, consists of (besides the triangular balalaika and the round-faced domra, both string instruments) accordions, horns, pipes, and other traditional folk instruments from all parts of Russia. The Music Russian folk music is not only an age-old music developed over the centuries as part of a tradition of the "people," but, due to the Russian word for "folk," is a contemporary, continually developing genre. "Narod" means more than the English word "folk," as it implies belonging to a people, nation, or culture as a whole, and also refers to all characteristics typical of an ethnic group. Therefore, though all the songs on this disc were recently composed, they are considered "folk songs" by the Russians, as they contain all the traditional elements of the older music from the villages. The only discernible differences are certain contemporary harmonies, modern orchestration (but using folk instruments), and a general "concert-hall" polish to the performances. The composers of the songs on this disc have artistically combined these modern touches with the age-old characteristics of traditional song, creating a successful and very satisfying "new" sound in Russian folk music. ©1974, ABC Records, Inc., Los Angeles, California 90048, New York, New York 10019, Printed in U.S.A. |
3 | Нидерланды, OS 2179 |
3 | Нидерланды, OS 2179 |
3 | Нидерланды, OS 2179 |
| side 1 1. Steppes, oh steppes (Levasov) 2. Zhenka (Zharkovsky-Vanshenkin) 3. Soldiers Widow (Fradkin-Matusskovsky) 4. My Russia (Tulikov-Ostrovoi) 5. Ryazan Madonnas (Dolukhanyan-Poperrechny) 6. Oh snow, fluffy snow (Ponomarenko-Bokov) side 2 1. Siberian Flax (Kutuzov-Bokov) 2. There is little light outside the window (Kolmanovsky) 3. Sleeplessness (Polikarpov-Kuryankov) 4. A young sailor is coming home (Averkin-Bokov) 5. Maybe not (Averkin-Bokov) 6. Hazel eyes dangerous eyes (Ponomarenko-Burygin) 7. Oh my heart (Ponomarenko-Burygin) Ossipov Ensemble Conducted by: Viktor Dubrovsky Голландское переиздание диска С 0889-90 |
3 | США, Monitor Records, MR 113 |
3 | США, Monitor Records, MR 113 |
3 | США, Monitor Records, MR 113 |
| SIDE ONE 1. BABI YAR — Yevgeni Yevtushenko 2. HAIL-STORM IN KHARKOV— Yevgeni Yevtushenko 3. THE WOMAN AND THE SEA— Yevgeni Yevtushenko 4. MOSCOW FREIGHT-YARD— Yevgeni Yevtushenko 5. AND AFTERWARDS — Yevgeni Yevtushenko 6. THE DELICATE TINKLE OF ICICLES — Yevgeni Yevtushenko 7. INCANTATION — Yevgeni Yevtushenko SIDE TWO 1. STALIN'S HEIRS — Yevgeni Yevtushenko 2. THE WINDOW LOOKS OUT ON WHITE TREES — Yevgeni Yevtushenko 3. PARABOLIC BALLAD — Andrei Voznesensky 4. SIBERIAN BATH-HOUSES — Andrei Voznesensky 5. YOU SIT — Andrei Voznesensky 6. AUTUMN IN SIGULDA—Andrei Voznesensky 7. GOYA — Andrei Voznesensky 8. From the poem "THE TRIANGULAR PEAR" — Andrei Voznesensky a) Night Airport in New York b) Negroes Sing c) The Anti-Worlds |
7 | США, Monitor Records, MP 590 |
7 | США, Monitor Records, MP 590 |
7 | США, Monitor Records, MP 590 |
7 | США, Monitor Records, MP 590 |
| стерео-вариант MPS 590 MPS(C) 590 |
7 | США, Monitor Records, MP 590 |
7 | США, Monitor Records, MP 590 |
7 | США, Monitor Records, MP 590 |
| Side One 1. MOSCOW NIGHTS Podmoskovni Vechera (4:25 Leeds Music, ASCAP) Music: Vassili Soloviev-Sedoy; Text: M. Matusovsky; Solo: Vladimir Troshin; Women’s Chorus and Radio Concert Orchestra conducted by Victor Knushevitzky 2- CLOUDS OVER THE TOWN Tuchi Nad Gorodo Vstali (2:00 Leeds Music, ASCAP) Music and Text by Pavel Armand; Solo: Mark Berness; A. Shalayev and N. Krilov, Accordions 3. LONELY ACCORDION Odinokaya Garmon (2:55 Leeds Music, ASCAP) Music: Boris Mokroussov; Text M. Issakovsky; Solo: George Ots; Estonian Radio Orchestra conducted by Rostislav Merkulov 4. KATIUSHA (2:12 Leeds Music, ASCAP) Music: Matvei Blanter; Text: M. Issakovsky; Solo Larissa Avdeyeva; Radio Concert Orchestra conducted by Eugene Akulov 5. SONG OF ROSHCHIN (2:36 Leeds Music, ASCAP) From thè film “Different Destinies”; Music: Nikita Bogoslavsky; Text: N. Dorizo; Solo: Mark Berness with Instrumental Ensemble 6. WHY? Otchevo, pochemu (2:22 Leeds Music, ASCAP) From thè film “A Story of True Love”; Music: Andrei Eshpai; Text: V. Kotov; Solo: Vladimir Troshin; Concert Orchestra conducted by Vadim Ludvikovsky 7. BLUE TWILIGHT Siniye Sumerkt (3:17 Leeds Music, ASCAP) Music: Tatiana Bromberg; Solo: Nina Dorda; Concert Orchestra conducted by Nikolai Minkh 8. ACCORDION WALTZ (3:15 Leeds Music, ASCAP) Instrumental by Oscar Feltsman; Solo: Boris Tikhonov; Radio Concert Orchestra conducted by Boris Karamishev Side Two 1. ST. LOUIS BLUES (W. C. Handy) (3:18 W. C. Handy, ASCAP) Guitar Instrumental; Guitars: Yuri Greshchenko, Victor Mironov, Alexei Yakushev 2. FIRST LOVE WALTZ (2:58 Leeds Music, ASCAP) From the film “Favorite Song”; Music: Tofik Kuliyev; Text: N. Dorizo; Solo: Rashid Beibutov; State Orchestra conducted by Vadim Ludvikovsky 3. TRY AND GUESS! Podi Poproboi, Ogadai-ka (3:20 Leeds Music, ASCAP) Music: Anatoli Lepin; Text: T. Solodar; Solo: Vera Krosovitskaya; Radio Stage Orchestra conducted by Yuri Silantev 4. HEAR ME OUT, MY PRETTY ONE! Uslish Menya, Khoroshaya (2:20 Leeds Music, ASCAP) Music: Vassili Soloviev-Sedoy; Text: M. Issakovsky; Solo: George Ots; Estonian Radio Orchestra conducted by Rostislav Merkulov 5. MOON WALTZ Lunni Vals (2:45 Leeds Music, ASCAP) Music: Isaac Dunayevsky; Text: V. Lebedev-Kumach; Solo: Alla Solenkova; Radio Concert Orchestra, conducted by Victor Knushevitzky 6. IF YOU LOVE Yesli Lyubish (3:45 Leeds Music, ASCAP) Music: S. Vassilev; Solo: Vitali Vlassov with instrumentai ensemble 7. ALWAYS WITH YOU Vsegda s Toboi (3:18 Leeds Music, ASCAP) Instrumental by Alexander Tsfasman; Alexander Tsfasman (piano) and Instrumental Sextet «POPULAR music in the Soviet Union has had a unique history. Cut off from the general trends in jazz throughout the western world, Soviet popular music stems mainly from the American "dance" idiom of the twenties. The present recording ranges from what is by our own standards "old-fashioned" jaw (although some of it is very elaborately dressed up as in Moscow Rights) to more sophisticated numbers such as Blue Tun light. The Accordion Waltz instrumental is as readily acceptable to us as Under Paris Skies or Domino. A few of the numbers (Moon Waltz, Katiusha) are perennial favorites in the Soviet Union and were included as characteristic of Russian tastes in popular music. Moscow's tribute to America, the rendition of the St. Louis Blues, will be somewhat startling to those unaware of the Russian penchant for "swingin' it". The last number on Side Two presents one of Moscow's leading composers and dance pianists, Alexander Tsfasman, playing one of his own hits. NOTE: Although Monitor customarily provides complete translations or story condensations with all songs it was felt unnecessary to do so in the case of this album since the lyrics all possess a universally understood "moon-June-croon" quality. Listen and you'll understand what we mean. For the Russian text write to Monitor. For complete catalogue and Russian text of these songs write : MONITOR RECORDS 156 FIFTH AVENUE NEW YORK, N.Y. 10010 This recording was processed from the original master tapes by arrangement with Leeds Music Corp., New York. For the care of your records check needle periodically; store away from heat; wipe with a damp cloth before playing. For playback on wide-range equipment use RIAA curve. Cover Design: David Chasman Printed in U. S. A. |
3 | Финляндия, Polarvox, PMS 201 |
3 | Финляндия, Polarvox, PMS 201 |
3 | Финляндия, Polarvox, PMS 201 |
| A MÄ MISTA LÖYTÄISIN SEN LAULUN (Ponomarenko —M. Agasina) Olga Voronetz B HELLYYS (A. Pahmutova — S. Grebennikov — N. Dobronravov) M. Kristalinskaja Laulettu venäjaksi |
